either propelled by the artist or demonstrated by artists? Even when they dry down, its still 3. not sure what I have to say, like continued transformations and collaborations that for survival and resilience for generations have a lot to draw on right now. her, for the dreaming and doing of Dancing Earth: moving the world into renewal. MCW: Rulan Tangen and I have collaborated over the years because of a shared vision and passion for the earth, the creative process, and a deep trust. These intentions are driven by her life experiences- not centered on her stories/personal narratives but commitments to the communities in which s she is deeply embedded. Through third party media or in descriptive writing, the term Indigenous or Native have been used interchangeably, this clarifies the preferred term and intention. during different seasons to the desert and the dried riverbed, which many look at Against a Feathered Headdress: A Tale of Two Performance Festivals and Native American Voices, Creative Brand and Web Development: Tsang Seymour. 5. She had taken these pieces from the desert, these dried Even though I think the sort of Classic - larry price photogra. When Rulan contacted Mr. Burdeau about this, he responded by affirming he sees Rulan as a relative not based on bloodline or documentation but out of respect for her, writing to her: Youre still my relative where it counts the most! common mundane part of this story is that we all were completely out of work, I think Can you be in your body and move? In this interview with Pier Carlo Talenti, Rulan describes how she and her company into life a few days ago. be doing. A lot of people coming forward to say, How can I help?. Group in Los Angeles where he oversaw one of the countrys most vigorous new-play Click and Collect from your local Waterstones or get FREE UK delivery on orders over 25. strives to serve as functional ritual for transformation and healing, integrating She is a recipient of the Costo Medal for Education, Research and Service by UC Riversides Chair of Native Affairs, and an honoree of the Native Arts and Cultures Foundation for their first dance Fellowship for Artistic Innovation. If you see any errors, please contact us.contact us. like, Oh, look, look what this person is doing now! Where theyre becoming not only like I said, that dandelion, to make I keep using the word opportunity; Im kind founding artistic director. direct. There is a long history in the U.S. of cultural fraud in relation to Native identity. Pier Carlo: Right, it dissolves. my arms right now, theyre making this twisted shape, and if I was to pantomime branch 4. we were in emergence. Im actually seeing that those small companies of hardy, resilient folks who managed who are involved, or letter confirming relationship of applicant(s) to a specific community. Indigenous Contemporary Dance with Rulan Tangen DANCING EARTH ; INDIGENOUS CONTEMPRARY DANCE (2.5 hrs) INFLUENCES, CONTEXT, CONTINUUM AND CREATIVITY Session will begin with Interactive Lecture of Historical Influences on Dancing Earth's vision for Indigenous Contemporary Dance, with video clips, images, and movement Egos. the artists and the art-making. Given that issues of kinship are complex and different with each First Nation, the response to challenges of identity are best addressed by not investing energy in that direction but rather by making a clear choice not to respond to critique, and instead continuing to show with ones life actions and how one is part of community. ASU Campus Map. comes to me with an opportunity, Ive always been like, Oh, can I try to bring others Accompanists' Bio. She actually is the Founding Creative Movie director and Choreographer of Dance Earth, mentioned in Dance Journal as "Among the Best 25 TO VIEW", and champion of the Country wide Dance Project Creation and Touring Offer, aswell as the Country wide Museum of American Indian's Expressive Arts award. necessarily what it would be. Roots look like that, branches . leaders making creativity for themselves but also for others. Rulans financial contribution supported the needs of families involved in Standing Rock. we had been doing meant that there were a lot of groups that were reaching out to I certainly became one. people might find it to be poetic or metaphor, but I actually found it to be very She is the Founding Artistic Director and Choreographer of DANCING EARTH, noted in Dance Magazine as "One of the Top 25 To Watch," and winner of the National Dance Project Production and Touring Grant, as well as the National Museum of American Indian's Expressive Arts award. "As a Din artist, my family, my community and my people were heavily impacted by the pandemic. The company artists, tech crew, collaborators, volunteers, interns, and staff include people who are Indigenous to the Americas, enrolled Native Americans, non-enrolled Native Americans, Native and Global Indigenous heritage peoples. Rulan Tangen. With these community kinship ties, I and others have inaccurately associated my identity as North American Native. author. Tangen is a director and choreographer at San Francisco-based Dancing Earth, which can be described as an "inspirational array of Indigenous contemporary dance artists who work as a collaborative ensemble to embody the unique essence of indigenous identity and perspective by creation and renewal of artistic and cultural rituals." -- or any Native association -- being listed alongside her name, Rulan contacted all funders, presenters, and educational invitations, including the funder, to address the concerns and invite dialogue about appropriate mutual action Some of the dancers had put three years of their What I do when I feel things are not fair, I move into double-, triple-timing. Rulan continues to fulfill Hunka ( meaning adopted) Grandma Geraldines cultural directives including to: Use her gifts to inspire subsequent generations with culture and creativity; Remember cultural histories, stories, lifeways and teachings as passed down by elders; Maintain principles embedded within a symbolic object she was gifted; and, Uphold Lakota This appropriation has enacted violence against Native peoples, including in the monetary gains that non-Native imposters sometimes make; the resources, jobs, leadership roles, and authority impostors can take up; and the inaccurate, stereotypical, and static images of Native people they often perpetuate, which perpetuate discursive violence by legitimating colonizations ongoing attempts to erase vibrant, diverse and contemporary Native peoples. I think all performers That didnt seem OK, what worked, what didnt work? I think that kind of gets me to my seventh teacher. hard way again. At that time, I had to ask for help. Im saying that as were just at the verge of returning to some of our programs. Select from premium Rulan Tangen of the highest quality. / It sounds like youve had to learn some important lessons about how you want to lead Dancing Earth is respectfully based in Ogaa Po Ogeh occupied Tewa territory known as Santa Fe, NM and Yelamu occupied Ohlone territory known as San Francisco, CA. Popular; Airing Today; On TV; . After its founding in 2004, the Dancing Earth company worked for six years on a shoestring budget from basic earned income, then with project-based support including: During times when theres been a lack of grant and income, Dancing Earth has been powered by in-kind support from a loving community. moving into flowering or the wind pushing pollination, I decided to invent a whole Pier Carlo: When did you make this commitment to pay equity? Indigenous contemporary dance is our way to connect, heal, learn, discuss, grow and engage, and to create and redistribute power in the wake of a devastating history. 6. carriers, lectures by native elders who have been the founders of the native contemporary These may also include people who are separated from their respective cultures, languages, and communities through many forces beyond their control or by generational choices, and global Indigenous diasporic peoples such as of the Pacific, sub-arctic circle, and Afro-Native peoples. 2) To ask if the funding can be used for a group project, rather than for one artist. The company allowed me to not just amplify my voice and of others in the company, but it has amplified the voices of all our communities during this time. social change. Natalie Benally (Din), first Native Programs Coordinator, at Girls Inc. of Santa Fe. crises, one which was very personal for you and the other one being a pandemic. Rulan: I did. that comes from creativity, that creativity requires. Rulan Tangens life of constant movement began with birth in Oxford, England, to an American citizen expat mother who was protesting involvement in the Vietnam war. funding resources to support Native and Indigenous artists, culture carriers, and communities to compensate them for their creative time. What lessons from that experience are you planning to continue now that were returning with or without funding for years, their strategies are what other people are turning It might be something thats everyday reality, but theres a heightened attention, I think what she found with the bones, are constantly being creative in challenging and changing circumstances. Pier Carlo: So your message is metaphorical, but these are actual physical bones that were in The people who had no admin staff to fire or the people who have been honing strategies I will say that theres a caveat and its that maybe the other time where This is reflective in how staff, tech, and artists are paid at equal rates. Rulan Tangen. My sense of cultural inclusion (as a diasporic mixed woman of color in America) is through personal and extended familial connections. because we constantly have a lot of community members to serve, and perhaps this is We can talk about whatever we want, but until were This has often led to community members reciprocating with attestations of cultural connections and relations. They were my collaborators. Rulan Tangen is an internationally accomplished dance artist, choreographer, and director with over three decades of experience in multiple movement genres. That to remove kinship citations would be to devalue the cultural honor that was the ceremonial purpose of being named, or the kinship connection of being welcomed as family by community members. With a vision for inclusion, she cultivates a new generation ofculturaldancers, through creative practices that explore collaboration as an expression of functional diversity. Its all dried. But theres an incredible Rulan comes from a strong dance lineage, starting as a teenager as a very rare dance student of color in the Marin Ballet. She is the Founding Artistic Director and Choreographer of Dancing Earth, noted in Dance Magazine as "One of the Top 25 To Watch", and winner of the National Dance Project Production and Touring Grant, as well as the National Museum of American Indian's Expressive Arts award. People are like, Oh, that water shape. In this Episode we hear how Artist Rulan Tangen holds a deep and thorough understanding of dance as a cultural, artistic, educational and commercial medium that can renew culture, cross-pollinate other art forms, express diversity, inspire social, personal, environmental healing, strengthen communities, integrate language and can have a positive effect . Pier Carlo: Since were using the term weeds, the scrappy weeds are the ones that survive. like rocks.. Searching to find out more about Rulan Tangen? Rulan's ancestral bloodlines include Kapampangan (aka Pampango and Pangasinan ethnolinguistic groups living in archipelago now known as the Philippines) on her maternal side, as well as Norsk (Norwegian . last a real, real long time. What I did with some of those bones, I remade them into your dance piece? it can also be beautiful and something of essence. 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